I arrived to my new home today. Chengdu City is grey, and bleak! I think I love it. My twenty two hour bus ride somehow lasted only fourteen hours. I love China's mysteries when they are to my advantage. I don't know much about Chengdu but the following are descriptions and thoughts about my home for a month and a half - Old Dali City, China. It's longer than most of my posts have or will be. Love To Those Who Want It.
It would be hard to leave paradise and go look for a job in dreary cities. Some people don't even even leave Dali City. Once a capital of one of China's specialest provinces, Yunan, then later captured by Kubla Kan, then maybe 1000 years later in 1998 it was rebuilt to look old. On New Years night I sat next to a stylish white guy from San Fransisco who calls Dali the best place in the world. I had no idea what that meant. I know that when I left three weeks ago I felt depressed and was back a week later.
Dali's mountains are a source for clouds. I think of them as big white hands and the they reach over and through the peaks and threaten to storm. The storm never materialized and while i was in Dali it never even rained. The clouds dissolve above Dali - constantly.
Speaking of clouds, my experiences of clouds in Japan verses China kind of mirror my general feeling for nature in the places - if not the places more generally. In Japan I saw two very distinct cloud processes. At the top of a mountain in Hokkaido I watched from within feet as thin clouds blow over the ridge and immediatly dissipated. This was clouds dying at close range. Much further south I saw the wind sweep mist laying on the trees and bring them into clouds. The clouds were being born. So in Japan my general impression was that things were very distinct. Mountains are triangles, the forest is filled with bizarelly straight pine trees. Hiroshige was barely exagerating.
In contrast to Japan in China, in Dali, I really don't know what to think about the nature I've seen. It's bizarrly impressive, and casual at the same time. The mountains look rugged and high but are mid height, the clouds look like they'll rain but they don't. In Japan I had a feeling of clarity and here that I'm being told powerful secrets in a language I don't understand.
In Dali the woman are stronger than the men and their bright headwraps are glowing. The fish jump out of the pink resevoire and roll on the surface. The man with a machine reels in two parrallel lines from the depths of the lake. Young women take photo's of each other wearing a wedding gown. I make the first soccer goal I can remember scoring.
Dali is between mountains and a big lake. The population includes a bubble of young travelers and settlers who run and feed the tourist infrastructure. Mostly though, these buisnesses make enough for the owners to continue living here and no more. Living is cheap, the weather is nice, the travelers generally unoffensive. The local people are famously diverse, industrious, friendly and the fresh and proud inheritors of a rich, colorful, humble, and extremely old culture.
Farm lands spread out from the mountains and surround the giant lake and moslty woman from the Chinese minority group Bai People work the land - the men have moved to factory towns. There is a big city 30 minutes away which also feeds the life of Dali. My feeling is that the area's 3000 year old culture survived the transition to modernity with integrity intact - the economy does not rely soley on tourism but allows and supports tourism. Because of the self sufficiency and self respect of the local people here it is possible to say the scenery is beautiful but the people are more beautiful and its the same with mystery as with beauty.
The strong backed women working the farms, and a functional Chinese city gives the place roots and stability. It's within this context that the bubble of Dali life can exist. The atmosphere is relaxed. Educated Chinese dudes, male and female mix with westerners and create cafe's with sophisticated DVD collections. You can sit around drinking tea and watching movies, playing ping pong, strolling the streets, playing soccer, making day trips around the lake, or whatever.
It's not unusual or unpleasent to let day after day pass by eating good food, sitting around with other travelers, reading and playing on the internet. It's not even unusual for several years to pass by in the same way. Like the other aspects of life in Dali its hard to get a feel for time. For example, yesterday I said, "maybe I'll leave Dali the day after tomorrow." I wont. Maybe I will leave the day after tomorrow.
The traveler community is by and large transient so its not so unlike Williamsberg Brooklyn or a college town. There is a neighborhood with roots somewhere, everywhere around you but it's ultimately not for you. Where did we come from and where are we going? What are we doing? The common bond of the Bai people might stretch out 3000 years but what do the travelers and settlers share? In Dali it might be something like wanting to escape modern life - to live simply and beautifully. They seek the experience of an authentically peaceful life just as the college grads in Brooklyn want a fresh vibrant city life. We share a search and the findings are tenuous.
We look to eachother to see if we foundit. At the good party in Brooklyn or Berlin, in the cafe' of Dali, we look at our neighbors and wonder if they are satisfied - we never know. The culture we share is of searching and not of finding, of traveling but not arriving. We all remind me of the Japanese tourists who would dress themselves in arctic gear, take a bus to a mountain, take a gondala to the top, take a picture from the top, look to eachother for the next move, and hustle back to the gondala, the bus, the next stop.
With the photo we hope to prove to ourselves and to others that we have found something. The 35 year old women have husbands and they travel to mountains in Hokkaido, the 20 year old boys have girls around them. But satisfaction and contentment are so evasive.
Dali city gives a small taste of what it might be like to be rich. It's a place where you can be rich for cheap. You don't have luxury or elegance really. You won't find a much of a park avenue crowd here but for college graduates, travelers, middle class citizens of the world, it can be a kind of honeymoon.
Also, there is no real presence of rich people here so travelers are close to the top of the economic ladder. Finally, you don't have much to do, you are not making, growing, taking part in something which you need or believe deeply in, except maybe oneself. All this leads to the regretable conclusion that despite the countless qualities of Dali, for the foriegner, be her Chinese or Israeli, life here can lack meaning.
I'm finding that the brilliance of things can confuse and even alienate me. I am surrounded by beauty and peace and am not satisfied? Why? Sometimes I think its easier to blame ourselves than to listen to the strange advice of our heart. "Leave this beautiful place" says mine. This is a fact which I really struggle with because there is so much I love here.
I have some ideas about solutions to the meaning problem but that doensn't mean I've incorporated them - and there are so many problems. Meaning must be grown and built. For me right now this means accepting city life. Meaning requires a culture that values work but a culture that values work doesn't value living. Good taste requires a culture that values good taste, but these cultures get so stuffy it's hard to keep caring about the music, art film itself. Fuck!
I've still never tried to live, with a job, somewhere really beautiful and peaceful - maybe it's possible for me get what I want in Dali or San Fran, or somewhere. But something is pulling me away - and its not just that I can't make as much money as I need here. Its the edge! The documentary about Joy Division, and Manchester in the late 70's I sawon my birthday a couple days ago gave me the inspiration i think i need.
It must be a romance with modern life, suffering, grey sky's, misery, and cold, science fiction, durability; 1980, Manchester, Ian swinging from a rope, the bleakness! And from this ground the hope for the return of Brian Eno, gems growing from sewers and future magic. This is all to say that I hope my teaching job in Chengdu City China allows me enough time to start a sweet band!